Footsteps are the most common type of foley in narrative video, whether it’s film, TV, or video games. You need steps for every type of environmental material, pressure, speed, and more.
Most foley libraries come with footstep collections, however each audio file tends to contain many footstep impacts. This means video editors have to manually chop them up into separate regions and position them carefully, one at a time, to align with the events on screen. This is time-consuming and tedious.
Audio Design Desk has solved several problems related to procuring, chopping, triggering, and experimenting with footstep sound effects. We offer dedicated foley packs with thousands of footstep audio files across well over a dozen different popular surface materials and intensities.
In this article we’ll explain how those files can be automatically chopped and triggered rapidly from your QWERTY (or MIDI) keyboard. With ADD you can skip the manual click-and-drag process of positioning files. Easily swap out any sound that doesn’t fit using our powerful Replacement tool.
Sign up for Audio Design Desk’s free 30 day trial and try this out for yourself. You can listen to examples from our collection below in the embedded audio player.
Let’s begin by classifying the different footstep sound effect categories. This will help you get a lay of the land before you start searching and sourcing foley for your project.
There are three fundamental footstep attributes to think about as an editor:
Materials are the most common footsteps sound effect category in foley libraries. Intensity tends to be a secondary attribute of the individual files themselves. In Audio Design Desk, the Steps pack contains around a dozen subfolder categories, each with varying intensity and complexity.
The materials of the footwear are just as important as the surface, but they’re categorized as secondary to the surface materials. Now that we’ve cleared that up, it’s time to get into the nitty gritty and show you how to actually source and sample these sound effects.
Audio Design Desk was built specifically to help editors find and position high quality sound effects on their video timeline. Within our library of 75,000+ sounds, you’ll find more than three thousand footsteps sound effect files to pull from. Each audio file is labeled according to the surface material, intensity and complexity of the clip.
Here’s a screenshot and step by step guide for downloading the Steps sample pack:
This “Steps” pack is one of the largest at Audio Design Desk. After clicking download, the DAW will need a moment to pull them from our repository. It goes without saying that you’ll need to be connected to the internet for that to work.
By the way, if you browse the Steps pack and it doesn’t have what you’re looking for, you can return to the Sound Packs section at any time and download one of the many other collections we offer.
Now that you have access to the footstep sounds, it’s time filter through all that foley and find the right sounds for your scene. Click “Search” on the left navigation menu and then you have two options.
Option 1. Type the word “steps” into the search bar to filter your sound collection down to footsteps. This will give you a quick and complete view of all of the individual steps in your library.
Option 2. Click on the down-caret arrow located immediately to the left of the search bar. This will reveal a navigation menu with a footsteps sound effect option. Click on that and narrow down your selection to the precise category that you’re looking for, as shown below:
Preview any of the audio files by selecting them on the list and hitting space bar. The wave form and playback controls are located at the bottom of this panel, directly below the list. Note the intensity and complexity filters above the list as well. These can be used to distinguish light taps from ordinary steps and thuds. The higher the value, the more intense the sound.
Select the group of sounds that you plan to use. Just right-click and select the trigger you want to use, or drag sounds directly over to it. You can choose from number keys, shift + number, and even MIDI notes (for those of you with a controller connected to your computer).
You have a few options after adding those files to the trigger of your choice. One possibility is to continue browsing for more footstep sounds and add them to the same trigger. You can also click on Trigger Sets in the left navigation menu to view sounds you’ve assigned to that key. In the example below, we’ve assigned our ten sounds to the number 1 on our computer keyboard.
With the sounds selected and trigger set up, it’s time to import your video. Simply drag and drop the clip into Audio Design Desk to load it. Then hit play and tap the trigger repeatedly or each footstep present in the scene. ADD will instantly place a region in the Timeline each time you hit the trigger.
As you can see in the example above, we’ve selected the sound of sneakers on brush material. The pace we selected was “walk” and the video is of a slow, casual jog so they aligned well together.
Your timing probably won’t be perfect, so you can click and drag the sfx files to the left or right so that they sync up correctly. This is still significantly faster than manually importing, dragging and positioning each sound.
Not satisfied with the sounds? Instead of deleting them and starting over, command + click on the ones you want to replace. Then hit “Command + R” to automatically swap them out with other sounds from the same trigger set.
There are two situations you might encounter:
A. Select a footstep that you previously placed in the timeline
B. Press option and the number or midi key your footstep pool was triggered by. Any selected region in the timeline will replace from that pool
A. Select the footsteps in the timeline you’d like to replace
B. Search and find the footsteps you’d like to use
C. Select the new footsteps and press shift return. Suddenly all your old steps are replaced with updated steps without losing sync
Every audio file in ADD has a unique sync point, positioned according to the file’s intended use. A rise has its sync point at the point of crescendo, while a hit has its sync point at the initial transient. The sync point is not always the loudest moment, it’s the most important one.
When you auto-replace a file in ADD, it doesn’t simply swap the new file in at the 0:00 marker. It swaps the file in on the axis of the sync point. This means the new sounds you swap in will land in the right spot!
On the right hand panel, you’ll notice a cue sheet with a clear list of all of the sounds that currently exist in your project. Later, when your project is finished, you can hand this off to the producer as part of your deliverables. If it’s a commercial project, they will need it for their records.
That’s pretty much a wrap! To access these royalty-free footstep sounds and start syncing them up with your video, head over to Audio Design Desk and sign up for a free trial. You can also download a free collection of sounds using the embedded audio player at the top of this page.